Bernadette Mayer
from Studying Hunger Journals


So sensitive to smells on Horatio Street, a friend and admirer is down and out, there’s always something burning in the city and nothing to fear from it, nothing in other words, what I was trying to say today about the feeling I had when we first sat down together was that I looked at you suddenly (one of us was off-guard) as if you were my “projection” (not simply parentally) and then, noticing that all of this was completely untrue, I was startled by the lie of it, so startled in fact like a jump of the springbok I ever was, just a second. Lyrics: I swore I saw that my face had taken on an enormous character, quite like you, I saw it was the same so I’m swimming into the waves as Barry rolls on the floor because he’s famous and he’s got five dollars, his father gave it to him, everybody was a fat baby there.

I dream an eye cut out, but before, someone’s eye was cut out first, who’s first. Maybe that’s why Poe is long beyond words yet disappearing overnight.

Joyce: What is the mechanism of the mind human mind that at one point says to itself, what, but what does it say? If I knew that I’d know why I’m faltering and pfloudering . . . that says to itself, I’m allowed? Aloud? Quick, think back, you know what it is, I shall be released, my character’s changing, I’m not an actress, invulnerable as human, words, a willing word, is not come easy by, is not come by, must stop for a minute, I challenge you, I’m at my worst, acceptance of the view, but from what level of alliance? And you, you are the energy which forces me to tell and to tell you, the greatest envy of them all, to their envy, to tell you that the kind of love that sustains the energy I’ve imposed on you is impossible any more. Anymore, that’s history but do you see the awful irony in this (and here I’m not even dealing with the issues, I can’t, but with the evidences, with the issues as they are reformed), irony and why I can’t still do it, even though the greatest earthquakes and firecrackers of all time are dying to dynamite the iron from my heart of iron simply to let me use it, fiercely, to cease and to create something, mine it, in the most human way, synergy/resources, you see the crack in this, I know it. And I see it tumbling too. I had to clothe you with that kind of love and now the clothes get thrown right back on me so sloppily that eye can’t see, eye is covered by a shirt or maybe even a vestment, and what do I do and you are waiting. Before, I was waiting, the future will be nothing like the past, please, that might seem like an odd thing to say today but dig it, change that to honey, cause I can’t. It’s not the little engine that could, that one couldn’t think clearly, this one a genuine engine with faults, that is cracks and triations, oh shit I fall in again I am not scared, but, where am I falling endlessly into. Beginnings are necessarily early and an early drought in the midst of too much rain . . . and the writing, I’ve something to write about that: it seems to me now (my electric typewriter’s just arrived from Philadelphia) that the writing is false a false front like the clothes I threw at you and you, so good you are, threw them right back. Notice I never put them back on, fit arms into sleeves, etc. They’re just all over me like a grave and what you did, that wasn’t really wearing them either but the words on paper were (!) a code like I said, a dense code, a way to think to work without thinking, a talent, an exploration sure, but how many buts can I put in without revealing I’m resisting, maybe a stick up the butt, what I done to you. Why’d I say that. Equals. So much hunger never to feed in the water never to breathe there: “Break up.” I’m stormier. Who? You and me? Chance we’ll . . . See I’m not even thinking about “dead.” But dead as word pops up, so but still yet, I used to use adjectives like peculiar all the time, now I’m up to conjectural adverbial conjunctive convulsive prepositional towards “The So” of it. Does that mean more motion emotion is capable of being descried described synchronous with the view, silly languages, but but I but if I still I can’t even yet, but maybe almost, form, I am so disappointed (that I may yet disappear), do you see it?

Discard the book: When you first I am enabled to touch with you (immigrant so) that you know was something that could raise up all expectations that the past made me sure held all solution, as we said. A boundless love in this sense that is with you (leaving me senseless) is very complicated. But as an answer, which you say is wrong or impossible, please show me, as an answer it is perhaps the most impossible again to give up. Let me try to say to you another way: maybe better I didn’t write, is it, were it better to say, and is that Lacanic? Another way: if the depth of my neurosis emerged without relation to love . . . I’ve just fooled myself, that would be impossible for anyone. (Have a) But, if I had come to solve the problem of compulsive shoplifting, say, wouldn’t it be easier, what is that? Easier for me to abandon the complex of my history and reform. No, I’ve got it all mixed up again. I guess the shoplifter and I are at least both looking for something for free. This thing with Max where he’s no longer my “prisoner” this is very bad because now I’ll try to hide my feelings from him and our love, mine and his, like I feared from the start, even, daring, there’s no guarantee on that. Guarantees on all stolen goods. So I feel like I am nothing and want to steal, I want to steal and be a revolutionary, I want a response, I want to alter the environment, remember? It’s like a vision, I want an answer, I’m not thinking complicated, I’m thinking fairly free, play the simple and see what you come out with. But, and but, that love is something to give up (give yourself away). I’m so disappointed I will die, will iron burn? The mix with you, ally, to make an indestructible alloy. I will describe myself. I am all curtains torn, I am tall and right now I have no stomach to speak of, I don’t have to go out at eight, but, neither do I have a choice, my arms are cold and I’m somewhere I’m used to being, lucky thing I’m pretty or what would I have done all these lovers. Something else. The thing I hate about the analytic method is too revealing to tell you. O my possession, will you have to human too? The objects of the past become, no it’s the past that radicalizes humans into objects and there’s no driving through that kind of field without a crash, everybody’s field day. Nighttime too. Especially dreams. Max is scared. Here I am. Will I be able to take care of him? If I can remember enough. Perhaps something new.

I dream I will always be “separate from my job.” A vigilant sleep, I quarrel with no one. Then spring (the revolver) adds a revolver to make it sound tough. In Meissen, she was raped: skewered language to make it fit on, to make her stop. A reunion on subways where the clown says: “42nd Street, Home of the Supreme Court of the Land where they serve hotcakes.” Hotseats?

You shouldn’t always be here, Hello this is Dr. Witticism, Please hang up and hang yourself.



Honolulu :: New York :: Philadelphia
© 1993-2001 by Chain.